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The Line album art

Techno (Peak Time / Driving) · 2019

The Line

Drunken Kong

127

BPM

8B

C Major

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

The Line by Drunken Kong is a bass-heavy Techno (Peak Time / Driving) track at 127 BPM with moderate drive and strong groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 4 Mar 2019 · 7:22 · 49% mood · -10 dB loudness

The feel

Groovestrong
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Drunken Kong.

Drunken Kong is a techno producer working in peak-time and driving styles. His work is characterized by propulsive rhythms and stripped-back production typical of contemporary techno.

131

Median BPM

10B

Top key

2015–2025

Active

83

Tracks

View Drunken Kong’s profile

Quick answers.

What BPM is The Line?

127 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 122–132 BPM without pitch artefacts.

What key is The Line in?

C Major — 8B on the Camelot wheel. Harmonically compatible with 8A, 7B and 9B.

What mixes well with The Line?

Tracks in 8B, 8A, 7B or 9B between ~122–132 BPM.

Where does The Line fit in a DJ set?

Groove sustainer — 50% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 127 BPM tracks · 8B tracks · 8B → 8A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

670 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
92

Wormhole

Boris Brejcha

125 BPM · 8B · Techno (Peak Time / Driving)

Same key · -2 BPM — seamless blend

91

The Arrival

Deniz Bul

128 BPM · 8B · Techno (Peak Time / Driving)

Same key · +1 BPM — seamless blend

89

Liquid

Martin Books

128 BPM · 9A · Techno (Peak Time / Driving)

Key jump · +1 BPM — seamless blend

90

Unravel Me

Kaufmann (DE)

128 BPM · 8B · Techno (Peak Time / Driving)

Same key · +1 BPM — seamless blend

89

Ya Tu Sabe

Victor Ruiz

128 BPM · 9B · Techno (Peak Time / Driving)

Adjacent key · +1 BPM — seamless blend

Mixing out of this track.

Now127 BPM · 8B→ three ways forward
Hold the groove

8B → 8B

Same key, ±2 BPM. With 67% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Wormhole

Boris Brejcha · 125 BPM · 8B

92 chemistry

Push the energy

8B → 8A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

A Thousand Nights

Gregor Tresher · 128 BPM · 8A

88 chemistry

Change direction

8B → 7B · 9B

Adjacent keys through a breakdown. This one runs 7:22 — the outro gives you a full phrase to work with.

Ya Tu Sabe

Victor Ruiz · 128 BPM · 9B

89 chemistry

More around 127 BPM in compatible keys.

Have You Ever Seen The Rain

Creedence Clearwater Revival · 130 BPM · 8B

I Remember Everything (feat. Kacey Musgraves)

Kacey Musgraves · 132 BPM · 8B

Soda Pop

Andrew Choi · 126 BPM · 8B

Austin (Boots Stop Workin')

Dasha · 126 BPM · 8B

Club Can't Handle Me (feat. David Guetta)

Flo Rida · 128 BPM · 8B

Beauty And A Beat

Nicki Minaj · 128 BPM · 8B