Techno (Peak Time / Driving) · 2019
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
The Line by Drunken Kong is a bass-heavy Techno (Peak Time / Driving) track at 127 BPM with moderate drive and strong groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 4 Mar 2019 · 7:22 · 49% mood · -10 dB loudness
The feel
The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Drunken Kong is a techno producer working in peak-time and driving styles. His work is characterized by propulsive rhythms and stripped-back production typical of contemporary techno.
131
Median BPM
10B
Top key
2015–2025
Active
83
Tracks
127 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 122–132 BPM without pitch artefacts.
C Major — 8B on the Camelot wheel. Harmonically compatible with 8A, 7B and 9B.
Tracks in 8B, 8A, 7B or 9B between ~122–132 BPM.
Groove sustainer — 50% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 127 BPM tracks · 8B tracks · 8B → 8A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Wormhole
Boris Brejcha
125 BPM · 8B · Techno (Peak Time / Driving)
Same key · -2 BPM — seamless blend
The Arrival
Deniz Bul
128 BPM · 8B · Techno (Peak Time / Driving)
Same key · +1 BPM — seamless blend
Liquid
Martin Books
128 BPM · 9A · Techno (Peak Time / Driving)
Key jump · +1 BPM — seamless blend
Unravel Me
Kaufmann (DE)
128 BPM · 8B · Techno (Peak Time / Driving)
Same key · +1 BPM — seamless blend
Ya Tu Sabe
Victor Ruiz
128 BPM · 9B · Techno (Peak Time / Driving)
Adjacent key · +1 BPM — seamless blend
8B → 8B
Same key, ±2 BPM. With 67% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Wormhole
Boris Brejcha · 125 BPM · 8B
92 chemistry
8B → 8A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
A Thousand Nights
Gregor Tresher · 128 BPM · 8A
88 chemistry
8B → 7B · 9B
Adjacent keys through a breakdown. This one runs 7:22 — the outro gives you a full phrase to work with.
Ya Tu Sabe
Victor Ruiz · 128 BPM · 9B
89 chemistry
Have You Ever Seen The Rain
Creedence Clearwater Revival · 130 BPM · 8B
I Remember Everything (feat. Kacey Musgraves)
Kacey Musgraves · 132 BPM · 8B
Soda Pop
Andrew Choi · 126 BPM · 8B
Austin (Boots Stop Workin')
Dasha · 126 BPM · 8B
Club Can't Handle Me (feat. David Guetta)
Flo Rida · 128 BPM · 8B
Beauty And A Beat
Nicki Minaj · 128 BPM · 8B