Tech House · 2019
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Chitown by DJ Fronter is a bass-heavy Tech House track at 125 BPM with moderate drive and balanced groove. At 78% energy, it delivers peak-time intensity.
Released 16 Aug 2019 · 6:10 · 42% mood · -11 dB loudness
The feel
The bass weight is the story here — 92% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
78% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Tech House producer and DJ.
125
Median BPM
8A
Top key
2013–2016
Active
26
Tracks
125 BPM — squarely in tech house territory, mixable within roughly 120–130 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~120–130 BPM.
Peak-time weapon — 78% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 125 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide · Tech House mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Mi Amor
Cloonee
128 BPM · 8A · Tech House
Same key · +3 BPM — seamless blend
Take Me to Church
Billy Kenny
124 BPM · 8A · Tech House
Same key · -1 BPM — seamless blend
Ya Kidding
FISHER
125 BPM · 7A · Tech House
Adjacent key · same BPM — seamless blend
Ya Didn't
FISHER
124 BPM · 9A · Tech House
Adjacent key · -1 BPM — seamless blend
New Bottega - Extended Mix
Torren Foot
127 BPM · 7B · Tech House
Key jump · +2 BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 60% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Take Me to Church
Billy Kenny · 124 BPM · 8A
92 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 6:10 — the outro gives you a full phrase to work with.
Ya Kidding
FISHER · 125 BPM · 7A
89 chemistry