Trap / Future Bass · 2019
Dillon FrancisBoombox CartelDESIIGNER
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Drip by Dillon Francis, Boombox Cartel, DESIIGNER is a bass-heavy Trap / Future Bass track at 164 BPM with moderate drive and subtle groove. At 68% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 19 Jul 2019 · 3:10 · 49% mood · -9 dB loudness
The feel
The bass weight is the story here — 78% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
68% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Dillon Francis is an American electronic music producer and DJ known for his work in house and dance music. He has released music across multiple labels and collaborated with various artists within the electronic music…
126
Median BPM
9A
Top key
2014–2026
Active
73
Tracks
164 BPM — squarely in trap / future bass territory, mixable within roughly 159–169 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~159–169 BPM.
Mid-set energy builder — 68% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 164 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Bad Boy
Young Thug
163 BPM · 3A · Trap / Future Bass
Adjacent key · -1 BPM — seamless blend
Girls in the Hood
Megan Thee Stallion
90 BPM · 4A · Trap / Future Bass
Same key · -74 BPM — seamless blend
TOES
Moneybagg Yo
80 BPM · 5A · Trap / Future Bass
Adjacent key · half-time — seamless blend
Bandit
YoungBoy Never Broke Again
90 BPM · 4A · Trap / Future Bass
Same key · -74 BPM — seamless blend
Jobs
City Girls
160 BPM · 3A · Trap / Future Bass
Adjacent key · -4 BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 34% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Alarum
Masayoshi Iimori · 160 BPM · 4A
89 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:10 — the outro gives you a full phrase to work with.
Bad Boy
Young Thug · 163 BPM · 3A
87 chemistry