Trap / Future Bass · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Jobs by City Girls is a bass-heavy Trap / Future Bass track at 160 BPM with moderate drive and subtle groove. At 65% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 4 Jun 2020 · 2:01 · 39% mood · -9 dB loudness
The feel
The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
65% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
City Girls is a trap and future bass artist working within contemporary electronic production. Their work spans atmospheric and rhythmic approaches to the genre, with an emphasis on textural sound design.
131
Median BPM
1A
Top key
2018–2021
Active
4
Tracks
160 BPM — squarely in trap / future bass territory, mixable within roughly 155–165 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~155–165 BPM.
Mid-set energy builder — 65% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 160 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Revenge
Octavian
160 BPM · 3A · Trap / Future Bass
Same key · same BPM — seamless blend
Bad Boy
Young Thug
163 BPM · 3A · Trap / Future Bass
Same key · +3 BPM — seamless blend
ARROWS
Eligh
160 BPM · 3A · Trap / Future Bass
Same key · same BPM — seamless blend
Dennis Rodman
Tyga
163 BPM · 2A · Trap / Future Bass
Adjacent key · +3 BPM — seamless blend
Stuck On The Road
Emperatres
160 BPM · 3A · Trap / Future Bass
Same key · same BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 39% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Revenge
Octavian · 160 BPM · 3A
93 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
U WON'T!
INJI · 161 BPM · 3B
85 chemistry
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 2:01 — the outro gives you a full phrase to work with.
Alarum
Masayoshi Iimori · 160 BPM · 4A
91 chemistry