
Deep House · 2014
Diamn
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Let's Get It by Diamn is a bass-heavy, groove-locked Deep House track at 126 BPM with moderate drive and strong groove. At 38% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 23 Dec 2014 · 6:09 · 34% mood · -12 dB loudness
The feel
The bass weight is the story here — 92% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
38% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
126 BPM — squarely in deep house territory, mixable within roughly 121–131 BPM without pitch artefacts.
C Minor — 5A on the Camelot wheel. Harmonically compatible with 5B, 4A and 6A.
Tracks in 5A, 5B, 4A or 6A between ~121–131 BPM.
Groove sustainer — 38% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 126 BPM tracks · 5A tracks · 5A → 5B key pair · Harmonic mixing guide · Deep House mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Feels Good
Audiojack
126 BPM · 5A · Deep House
Same key · same BPM — seamless blend
Mind Ur Step - DF Dub
Dennis Ferrer
124 BPM · 5A · Deep House
Same key · -2 BPM — seamless blend
Orbits of Dust
Session Victim
124 BPM · 5A · Deep House
Same key · -2 BPM — seamless blend
Another World - Andre Lodemann Mix
Akabu
125 BPM · 4A · Deep House
Adjacent key · -1 BPM — seamless blend
Blacklight Sleaze
Peace Division
124 BPM · 5A · Deep House
Same key · -2 BPM — seamless blend
5A → 5A
Same key, ±2 BPM. With 79% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Feels Good
Audiojack · 126 BPM · 5A
93 chemistry
5A → 5B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
5A → 4A · 6A
Adjacent keys through a breakdown. This one runs 6:09 — the outro gives you a full phrase to work with.
Coffee in the Morning
Dam Swindle · 126 BPM · 4A
88 chemistry