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Tracks/Keep Giving You All My Love - Extended
Keep Giving You All My Love - Extended album art

Minimal / Deep Tech · 2025

Keep Giving You All My Love - Extended

Delacour

127

BPM

1A

A♭ Minor

Peak time

Energy

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Keep Giving You All My Love - Extended by Delacour is a bass-heavy, groove-locked Minimal / Deep Tech track at 127 BPM with moderate drive and strong groove. At 92% energy, it delivers peak-time intensity.

Released 29 May 2025 · 6:13 · 41% mood · -11 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthbalanced

The groove is the story here — 84% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

92% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About Delacour.

Minimal / Deep Tech producer and DJ.

127

Median BPM

8A

Top key

2021–2024

Active

12

Tracks

View Delacour’s profile

Quick answers.

What BPM is Keep Giving You All My Love - Extended?

127 BPM — squarely in minimal / deep tech territory, mixable within roughly 122–132 BPM without pitch artefacts.

What key is Keep Giving You All My Love - Extended in?

A♭ Minor — 1A on the Camelot wheel. Harmonically compatible with 1B, 12A and 2A.

What mixes well with Keep Giving You All My Love - Extended?

Tracks in 1A, 1B, 12A or 2A between ~122–132 BPM.

Where does Keep Giving You All My Love - Extended fit in a DJ set?

Peak-time weapon — 92% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 127 BPM tracks · 1A tracks · 1A → 1B key pair · Harmonic mixing guide · Minimal Techno mixing guide

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Now127 BPM · 1A→ three ways forward
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Same key, ±2 BPM. With 84% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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