Minimal / Deep Tech · 2022
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Fck That by Kreech is a bass-heavy, groove-locked Minimal / Deep Tech track at 129 BPM with high drive and strong groove. At 86% energy, it delivers peak-time intensity.
Released 25 Feb 2022 · 6:32 · 33% mood · -12 dB loudness
The feel
The bass weight is the story here — 93% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
86% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Minimal / Deep Tech producer and DJ.
128
Median BPM
5A
Top key
2021
Active
17
Tracks
129 BPM — squarely in minimal / deep tech territory, mixable within roughly 124–134 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~124–134 BPM.
Peak-time weapon — 86% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 129 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide · Minimal Techno mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Callao
Jesse Jacob
128 BPM · 2A · Minimal / Deep Tech
Same key · -1 BPM — seamless blend
Up My Sleeve
George Smeddles
129 BPM · 2A · Minimal / Deep Tech
Same key · same BPM — seamless blend
Who's That Girl - JL & Afterman Mix
Yvvan Back
128 BPM · 2A · Tech House
Same key · -1 BPM — seamless blend
Soul Sucker
Joey London Style
128 BPM · 1A · Tech House
Adjacent key · -1 BPM — seamless blend
Lay Back
Brad Brunner
128 BPM · 1A · Minimal / Deep Tech
Adjacent key · -1 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 80% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Up My Sleeve
George Smeddles · 129 BPM · 2A
93 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 6:32 — the outro gives you a full phrase to work with.
Soul Sucker
Joey London Style · 128 BPM · 1A
89 chemistry