Trap / Future Bass · 2014
Deichkind
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Remmidemmi (Yippie Yippie Yeah) by Deichkind is a bass-heavy Trap / Future Bass track at 130 BPM with moderate drive and balanced groove. At 48% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 1 Jul 2014 · 4:41 · 43% mood · -11 dB loudness
The feel
The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
48% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
130 BPM — squarely in trap / future bass territory, mixable within roughly 125–135 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~125–135 BPM.
Groove sustainer — 48% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 130 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Bum Bum Tam Tam
Juan Magan
130 BPM · 4A · Trap / Future Bass
Same key · same BPM — seamless blend
The Way You Move
Outkast
126 BPM · 5A · Trap / Future Bass
Adjacent key · -4 BPM — seamless blend
Da Dip
Freak Nasty
134 BPM · 5A · Trap / Future Bass
Adjacent key · +4 BPM — seamless blend
Get It Shawty
Lloyd
128 BPM · 5A · Trap / Future Bass
Adjacent key · -2 BPM — seamless blend
National Treasures
Drake
129 BPM · 3A · Hip-Hop
Adjacent key · -1 BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 51% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Bum Bum Tam Tam
Juan Magan · 130 BPM · 4A
91 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Bitch, Don't Kill My Vibe
Kendrick Lamar · 66 BPM · 4B
82 chemistry
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 4:41 — the outro gives you a full phrase to work with.
Da Dip
Freak Nasty · 134 BPM · 5A
87 chemistry