Techno (Peak Time / Driving) · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Like The Sun by Daniel Allen is a bass-heavy Techno (Peak Time / Driving) track at 128 BPM with moderate drive and balanced groove. At 45% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 30 Oct 2020 · 5:48 · 42% mood · -10 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
45% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Deep House producer and DJ.
126
Median BPM
2B
Top key
3
Tracks
128 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 123–133 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~123–133 BPM.
Groove sustainer — 45% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 128 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Warehouse Symphony
Pinto (NYC)
128 BPM · 3A · Techno (Peak Time / Driving)
Same key · same BPM — seamless blend
Groove Bass
DJ Oliver
128 BPM · 3A · Techno (Peak Time / Driving)
Same key · same BPM — seamless blend
Your Lovin'
Christian Smith
130 BPM · 3A · Techno (Peak Time / Driving)
Same key · +2 BPM — seamless blend
Before the Storm
MIKE (IT)
130 BPM · 2B · Techno (Peak Time / Driving)
Key jump · +2 BPM — seamless blend
Space Date
Adam Beyer
127 BPM · 3A · Techno (Peak Time / Driving)
Same key · -1 BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 52% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Warehouse Symphony
Pinto (NYC) · 128 BPM · 3A
91 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Stranger Code
Cosmic Boys · 127 BPM · 3B
84 chemistry
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 5:48 — the outro gives you a full phrase to work with.
Level One
Boris Brejcha · 125 BPM · 4A
84 chemistry