Trap / Future Bass · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Two Can Play That Game - K Klassic Mix by Bobby Brown is a bass-heavy, groove-locked Trap / Future Bass track at 122 BPM with moderate drive and strong groove. At 30% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 7 Feb 2020 · 7:20 · 50% mood · -15 dB loudness
The feel
The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
30% energy places it in the warm-up — setting the room up before the climb.
Bobby Brown is an R&B artist whose work spans the early 1990s. His contributions to the genre reflect the contemporary soul and rhythm-and-blues sound of that era.
110
Median BPM
4A
Top key
1989–1993
Active
4
Tracks
122 BPM — squarely in trap / future bass territory, mixable within roughly 117–127 BPM without pitch artefacts.
G Minor — 6A on the Camelot wheel. Harmonically compatible with 6B, 5A and 7A.
Tracks in 6A, 6B, 5A or 7A between ~117–127 BPM.
Warm-up and opener — 30% energy with strong groove sets the tone before the energy climbs.
Explore: 122 BPM tracks · 6A tracks · 6A → 6B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
You're The First, The Last, My Everything
Barry White
130 BPM · 7B · Trap / Future Bass
Key jump · +8 BPM — seamless blend
We Can Start Tonight
Harvey Mason
118 BPM · 5A · Trap / Future Bass
Adjacent key · -4 BPM — seamless blend
Midnight or Late Afternoon
Mike Simonetti
120 BPM · 6A · R&B
Same key · -2 BPM — seamless blend
Let's Start The Dance
Bohannon
117 BPM · 5B · Trap / Future Bass
Key jump · -5 BPM — seamless blend
If You Believe In Having Sex
2 Live Crew
123 BPM · 5A · Trap / Future Bass
Adjacent key · +1 BPM — seamless blend
6A → 6A
Same key, ±2 BPM. With 79% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Midnight or Late Afternoon
Mike Simonetti · 120 BPM · 6A
86 chemistry
6A → 6B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Sally That Girl
Gucci Crew II · 130 BPM · 6B
80 chemistry
6A → 5A · 7A
Adjacent keys through a breakdown. This one runs 7:20 — the outro gives you a full phrase to work with.
We Can Start Tonight
Harvey Mason · 118 BPM · 5A
89 chemistry