Trap / Future Bass · 2013
Birdy Nam NamSkrillexA$AP ROCKY
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Wild for the Night by Birdy Nam Nam, Skrillex, A$AP ROCKY is a bass-heavy Trap / Future Bass track at 140 BPM with moderate drive and subtle groove. At 57% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 11 Jan 2013 · 3:32 · 55% mood · -8 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
57% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
140 BPM — squarely in trap / future bass territory, mixable within roughly 135–145 BPM without pitch artefacts.
F♯ Minor — 11A on the Camelot wheel. Harmonically compatible with 11B, 10A and 12A.
Tracks in 11A, 11B, 10A or 12A between ~135–145 BPM.
Mid-set energy builder — 57% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 140 BPM tracks · 11A tracks · 11A → 11B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Life Is Good
Drake
142 BPM · 10A · Trap / Future Bass
Adjacent key · +2 BPM — seamless blend
Trippy
Lil Wayne
136 BPM · 11A · Trap / Future Bass
Same key · -4 BPM — seamless blend
Alone
Marshmello
142 BPM · 10B · Trap / Future Bass
Key jump · +2 BPM — seamless blend
Close To Me
Diplo
144 BPM · 12B · Trap / Future Bass
Key jump · +4 BPM — seamless blend
Take What You Want
Ozzy Osbourne
70 BPM · 12A · Trap / Future Bass
Adjacent key · half-time — seamless blend
11A → 11A
Same key, ±2 BPM. With 35% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Talk About It
Haan808 · 138 BPM · 11A
90 chemistry
11A → 11B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
11A → 10A · 12A
Adjacent keys through a breakdown. This one runs 3:32 — the outro gives you a full phrase to work with.
Life Is Good
Drake · 142 BPM · 10A
87 chemistry