Trance (Main Floor) · 1998
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
9 PM (Till I Come) - Radio Edit by ATB is a bass-heavy Trance (Main Floor) track at 130 BPM with moderate drive and strong groove. At 36% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 26 Oct 1998 · 3:19 · 40% mood · -12 dB loudness
The feel
The bass weight is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
36% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
ATB is an Austrian electronic music producer and DJ known for his contributions to trance and dance music. His work spans progressive house, trance, and electronic pop, with a catalog that established him as a…
130
Median BPM
8A
Top key
1998–2023
Active
25
Tracks
130 BPM — squarely in trance (main floor) territory, mixable within roughly 125–135 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~125–135 BPM.
Groove sustainer — 36% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 130 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
9Pm (Till I Come)
ATB
130 BPM · 8A · Trance (Main Floor)
Same key · same BPM — seamless blend
Clear Blue
Markus Schulz
130 BPM · 8A · Trance (Main Floor)
Same key · same BPM — seamless blend
Revelation
Electrique Boutique
133 BPM · 8A · Trance (Main Floor)
Same key · +3 BPM — seamless blend
Sixes
deadmau5
128 BPM · 9A · Trance (Main Floor)
Adjacent key · -2 BPM — seamless blend
R4VE 101 (Mixed)
Ahmed Helmy
130 BPM · 8B · Trance (Main Floor)
Relative key · same BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 75% groove and heavy bass, long blends work — cut the incoming bass until the switch.
9Pm (Till I Come)
ATB · 130 BPM · 8A
93 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
R4VE 101 (Mixed)
Ahmed Helmy · 130 BPM · 8B
87 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 3:19 — the outro gives you a full phrase to work with.
Sixes
deadmau5 · 128 BPM · 9A
88 chemistry