Mixing from 6A to 6A

How to mix this transition

Since both tracks share the same harmonic center (G Minor), focus the transition on drum and texture layering rather than harmonic resolution. Bring in the new track's elements during a phrase boundary — typically 8 or 16 bars before the outgoing track's final drop — so the key signature never breaks. Use a long blend (16–32 bars) to let the new drums, bassline, and synth character gradually dominate while the old track fades; avoid abrupt EQ kills on the outgoing track's mids, as this can create a hollow gap. Common pitfall: pushing the new track in too early or too hard, which flattens the energy arc instead of sustaining it.