Mixing from 12B to 12B

How to mix this transition

Since both tracks occupy the same key (E Major, 12B), you can overlap them across phrase boundaries without harmonic clash—bring the incoming track's intro or breakdown in over the outgoing track's final 8–16 bars. Use EQ to separate them: kill or reduce low-mids on the incoming track during the blend, then restore them once the outgoing track's kick fades. Watch for phase issues when layering similar synth tones; a slight high-pass on one track or a short delay (10–30 ms) can clarify the blend. The danger is monotony—same key does not mean same arrangement, so vary drums, texture, or filter sweeps to signal movement to the listener.