Disco / Funk · 1970s — present
Funk sits at 118 BPM at the median, with most tracks between 105 and 125 BPM. The genre's editorial range is 90–110 BPM; our catalog measures slightly tighter.
Median BPM
118
Common range
105–125
Mean
115
Tracks measured
15
15 tracks · median 118 BPM · most of the catalog sits between 105 and 125 BPM.
Funk's 90–110 BPM range emerged from the late 1960s as James Brown and his peers slowed soul and R&B to emphasize rhythmic precision over melodic momentum. This tempo sits where drum machines and live drummers could lock into the syncopated kick-and-snare pocket without losing the groove's physical weight on the dancefloor. Unlike disco's 120+ sprint, funk prioritized the *feel* of each sixteenth-note subdivision and the space between hits—essential for slap bass articulation and horn section punctuation. The slower pace also accommodated the analog synthesizers and drum machines of the 1970s, which demanded careful tuning and sync. Funk remained the blueprint for hip-hop, G-funk, and modern trap production, all of which inherited this mid-tempo philosophy.
Three reference points along the BPM axis for funk, with what the position implies about the track.
Groovy side
Lower quartile — patient builds, deeper grooves, long blends.
Genre centre
Median — what most tracks in the catalog actually sound like.
Peak-time edge
Upper quartile — pushes the floor, bridges into faster neighbours.
Median BPM of funk compared to neighbouring genres in the same family. Closer medians mean easier cross-genre transitions.
Funk
Disco
Nu-disco
Catalog tracks within ±2 BPM of 118, sorted by popularity.
Names you’ll meet often when building funk sets.
Plan a chemistry-scored set