32,151 artists in catalog

Artist index

Every DJ-relevant artist with three or more chemistry-scored tracks in our catalog. Each page shows BPM range, dominant keys, sound profile and related artists — useful when you're prepping a set, deciding whether an unfamiliar artist will work in your scene, or just exploring.

APHE
15
Techno (Peak Time / Driving) · 127 BPM median
9B
Crissy Criss
15
Drum & Bass · 87 BPM median
2012–20194A
Kumarachi
15
Drum & Bass · 87 BPM median
20174A
HOVR
15
Indie Dance · 124 BPM median
2022–202510B
Joe Fisher
15
Progressive House · 124 BPM median
11B
Ae:ther
15
Melodic House & Techno · 126 BPM median
2017–20234A
Jason Johnson
15
Techno (Peak Time / Driving) · 132 BPM median
20242B
Ary Sya
15
Indie Dance · 122 BPM median
12B
MRD
15
Hard Techno · 143 BPM median
2020–20223A
Roland Leesker
15
House · 125 BPM median
2015–202211B
Ohmme
15
Tech House · 123 BPM median
2017–20196A
Infinity MusiQ
15
Amapiano · 112 BPM median
4A
Leyo
15
Deep House · 128 BPM median
20253A
SouveQ
15
Indie Dance · 120 BPM median
2020–20239B
Bro Safari
15
Trap / Future Bass · 129 BPM median
2012–20204A
Adam K
15
Dance · 125 BPM median
2007–202010A
Arkan
15
Techno (Raw / Deep / Hypnotic) · 137 BPM median
2023–20256B
Pele
15
Tech House · 123 BPM median
2012–20162B
Cude
15
Breaks / Breakbeat / UK Bass · 135 BPM median
1A
Crew Deep
15
Deep House · 122 BPM median
2021–20234A
Johnny Yono
15
Trance (Main Floor) · 132 BPM median
2013–20178B
Diego Sosa
15
Tech House · 128 BPM median
5A
Bad Boy Bill
15
Tech House · 125 BPM median
1990–199112A
Cryex
15
Hard Dance / Hardcore / Neo Rave · 155 BPM median
2019–202411A
Nicolo (AR)
15
Techno (Peak Time / Driving) · 133 BPM median
2B
IDEMI
15
Deep House · 132 BPM median
20259A
Douglas Greed
15
Melodic House & Techno · 125 BPM median
2013–20195A
Audion
15
Techno (Peak Time / Driving) · 125 BPM median
2004–201711B
Paul T & Edward Oberon
15
Drum & Bass · 88 BPM median
2015–20248A
John Parsley
15
Indie Dance · 120 BPM median
20178B
David Hopperman
15
Afro House · 123 BPM median
8A
Dimuth K
15
Progressive House · 122 BPM median
2017–202610B
Rickyxsan
15
Trap / Future Bass · 144 BPM median
2013–20259A
Adam F
15
Drum & Bass · 103 BPM median
1994–20241A
Kate Simko
15
Deep House · 124 BPM median
2012–20195A
Qulinez
15
Big Room · 128 BPM median
2013–20162A
Ekko
15
Dance · 128 BPM median
2021–202510B
Bultech
15
Techno (Peak Time / Driving) · 130 BPM median
11B
DJ Krush
15
Electronica · 93 BPM median
1996–20208A
MOLØ
15
Electronica · 122 BPM median
2024–20258A
HRRSN
15
Electronica · 120 BPM median
2018–20218A
Malke
15
Hard Techno · 155 BPM median
20237A
Pray For Bass
15
Breaks / Breakbeat / UK Bass · 135 BPM median
10A
Jordan Brando
15
Tech House · 129 BPM median
2018–20257A
Adam X
15
Techno (Raw / Deep / Hypnotic) · 128 BPM median
1996–20202B
Atlas
15
Trance (Raw / Deep / Hypnotic) · 131 BPM median
2000–202510B
M0B
15
Melodic House & Techno · 124 BPM median
11B
Hidden Spheres
15
Deep House · 121 BPM median
20239B

Why a chemistry-scored artist directory matters

Most artist directories online give you a name, a genre tag and maybe a Spotify link. They don't tell you whether an artist's tracks will mix into your set, what BPM range they live in, which keys dominate their releases, or who else sounds like them. For a working DJ, those are the questions that actually matter.

Every artist in this directory has at least three tracks in our catalog, analysed end-to-end across the same six dimensions our recommendation engine uses — energy, drive, groove, brightness, warmth and vocal content. The result is that an unfamiliar name on a lineup poster is two clicks from a clear picture: their typical tempo, their dominant keys, the artists they cluster with, and a sortable list of every track of theirs we've scored.

Use the search to find a specific artist, the genre chips to narrow to a scene, or just sort by popularity to see who's currently dominating the Mixgraph catalog. From any artist page, the related-artists section spreads the map out further — every connection is a similarity-scored edge, not a guess.

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