Breaks / Breakbeat / UK Bass · 2017
Yokaze
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Pink Oblivion by Yokaze is a bass-heavy Breaks / Breakbeat / UK Bass track at 75 BPM with moderate drive and subtle groove. At 43% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 10 Nov 2017 · 3:29 · 51% mood · -11 dB loudness
The feel
The bass weight is the story here — 88% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
43% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
75 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 70–80 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~70–80 BPM.
Groove sustainer — 43% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 75 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Come Around Slowly
Shy FX
74 BPM · 10A · Bass / Club
Same key · -1 BPM — seamless blend
Absolu
Krush Klubb
75 BPM · 9A · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — seamless blend
Pang
Soundbwoy Killah
78 BPM · 11A · Breaks / Breakbeat / UK Bass
Adjacent key · +3 BPM — seamless blend

Aku
Cleveland
77 BPM · 9A · Breaks / Breakbeat / UK Bass
Adjacent key · +2 BPM — seamless blend
There He is
Dabbla
72 BPM · 9B · Breaks / Breakbeat / UK Bass
Key jump · -3 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 39% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Come Around Slowly
Shy FX · 74 BPM · 10A
83 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Tape Me
FVLCRVM · 76 BPM · 10B
80 chemistry
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 3:29 — the outro gives you a full phrase to work with.
Absolu
Krush Klubb · 75 BPM · 9A
86 chemistry