Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
My Hitta by YG, Jeezy, Rich Homie Quan is a bass-heavy Trap / Future Bass track at 85 BPM with moderate drive and subtle groove. At 42% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 18 Mar 2014 · 3:55 · 52% mood · -13 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
42% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Trap / Future Bass producer and DJ.
101
Median BPM
2A
Top key
2010–2026
Active
17
Tracks
85 BPM — squarely in trap / future bass territory, mixable within roughly 80–90 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~80–90 BPM.
Groove sustainer — 42% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 85 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Godzilla
Eminem
83 BPM · 3A · Trap / Future Bass
Adjacent key · -2 BPM — seamless blend
Like You
Ciara
82 BPM · 3A · Trap / Future Bass
Adjacent key · -3 BPM — seamless blend
327 (feat. Tyler, The Creator & Billie Essco)
Joey Bada$$
79 BPM · 2A · Trap / Future Bass
Same key · -6 BPM — seamless blend
Savage Remix (feat. Beyoncé)
Beyonce
85 BPM · 2A · Trap / Future Bass
Same key · same BPM — seamless blend
Im Workin
Giggs
80 BPM · 2A · Trap / Future Bass
Same key · -5 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 26% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Somewhere Else
Stoik · 87 BPM · 2A
89 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
It Depends
Chris Brown · 85 BPM · 2B
81 chemistry
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 3:55 — the outro gives you a full phrase to work with.
Godzilla
Eminem · 83 BPM · 3A
88 chemistry