Nu Disco / Disco · 2019
Willie Griffin
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Love You by Willie Griffin is a bass-heavy Nu Disco / Disco track at 98 BPM with moderate drive and subtle groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Feb 2019 · 3:14 · 43% mood · -16 dB loudness
The feel
The bass weight is the story here — 91% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
29% energy places it in the warm-up — setting the room up before the climb.
98 BPM — squarely in nu disco / disco territory, mixable within roughly 93–103 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~93–103 BPM.
Warm-up and opener — 29% energy sets the tone before the energy climbs.
Explore: 98 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Finally Moving
Pretty Lights
100 BPM · 12A · Nu Disco / Disco
Same key · +2 BPM — seamless blend
Won't Be Your Fool
Escape From New York
100 BPM · 12A · Nu Disco / Disco
Same key · +2 BPM — seamless blend
Talkin' About Dat (feat. Georges Perin)
Basement Freaks
98 BPM · 11B · Nu Disco / Disco
Key jump · same BPM — seamless blend
Very Leggy
Ursula 1000
96 BPM · 1A · Electronica
Adjacent key · -2 BPM — seamless blend
Existential
Chroma Glow
97 BPM · 11B · Electronica
Key jump · -1 BPM — seamless blend
12A → 12A
Same key, ±2 BPM. With 39% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Finally Moving
Pretty Lights · 100 BPM · 12A
88 chemistry
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 3:14 — the outro gives you a full phrase to work with.
Try To Take A Lead
Pal Joey · 95 BPM · 1A
85 chemistry