Dubstep · 2019
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Coming At Ya by Trampa is a bass-forward Dubstep track at 145 BPM with moderate drive and strong groove. At 60% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 18 Jan 2019 · 3:50 · 51% mood · -9 dB loudness
The feel
The bass weight is the story here — 71% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
60% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Trampa is a dubstep producer and DJ known for heavy, bass-driven production within the genre. His work spans both original compositions and remixes, contributing to the broader dubstep landscape.
132
Median BPM
5B
Top key
2013–2021
Active
36
Tracks
145 BPM — squarely in dubstep territory, mixable within roughly 140–150 BPM without pitch artefacts.
B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.
Tracks in 3A, 3B, 2A or 4A between ~140–150 BPM.
Mid-set energy builder — 60% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 145 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
U Want Me
Flux Pavilion
145 BPM · 3A · Dubstep
Same key · same BPM — seamless blend
Giving Up (feat. Jaden Michaels) - Carbin Remix
Quix
145 BPM · 3A · Dubstep
Same key · same BPM — seamless blend
Riddim 4 Dummies
Aweminus
147 BPM · 3A · Dubstep
Same key · +2 BPM — seamless blend
Spelljam
Svdden Death
145 BPM · 2A · Dubstep
Adjacent key · same BPM — seamless blend
Enemy
Dack Janiels
145 BPM · 3A · Dubstep
Same key · same BPM — seamless blend
3A → 3A
Same key, ±2 BPM. With 68% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Enemy
Dack Janiels · 145 BPM · 3A
93 chemistry
3A → 3B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
3A → 2A · 4A
Adjacent keys through a breakdown. This one runs 3:50 — the outro gives you a full phrase to work with.
Spelljam
Svdden Death · 145 BPM · 2A
90 chemistry