Dubstep · 2014
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Something Dead by Tim Ismag is a bass-heavy Dubstep track at 140 BPM with moderate drive and subtle groove. At 73% energy, it delivers peak-time intensity.
Released 4 Feb 2014 · 2:58 · 55% mood · -10 dB loudness
The feel
The bass weight is the story here — 79% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
73% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Tim Ismag is a dubstep producer and DJ known for work within the genre's electronic production landscape. His output spans the broader dubstep ecosystem with a focus on sound design and bass-heavy composition.
140
Median BPM
9A
Top key
2013–2015
Active
17
Tracks
140 BPM — squarely in dubstep territory, mixable within roughly 135–145 BPM without pitch artefacts.
F♯ Major — 2B on the Camelot wheel. Harmonically compatible with 2A, 1B and 3B.
Tracks in 2B, 2A, 1B or 3B between ~135–145 BPM.
Peak-time weapon — 73% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 140 BPM tracks · 2B tracks · 2B → 2A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
UTAH
Svdden Death
140 BPM · 2B · Dubstep
Same key · same BPM — seamless blend
Me N You
YDG
141 BPM · 2A · Dubstep
Relative key · +1 BPM — seamless blend
Lights - Bassnectar Remix
Ellie Goulding
140 BPM · 3B · Dubstep
Adjacent key · same BPM — seamless blend
Into U
Dr. Ushūu
140 BPM · 2A · Dubstep
Relative key · same BPM — seamless blend
DEATHMATCH
Snails
140 BPM · 2A · Dubstep
Relative key · same BPM — seamless blend
2B → 2B
Same key, ±2 BPM. With 23% groove and heavy bass, long blends work — cut the incoming bass until the switch.
UTAH
Svdden Death · 140 BPM · 2B
90 chemistry
2B → 2A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Me N You
YDG · 141 BPM · 2A
87 chemistry
2B → 1B · 3B
Adjacent keys through a breakdown. This one runs 2:58 — the outro gives you a full phrase to work with.
Lights - Bassnectar Remix
Ellie Goulding · 140 BPM · 3B
88 chemistry