Deep House · 2018
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
You Can't Hide The Rumours by Tilman is a bass-heavy Deep House track at 135 BPM with moderate drive and balanced groove. At 45% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 10 Jul 2018 · 5:28 · 47% mood · -11 dB loudness
The feel
The bass weight is the story here — 88% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
45% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Deep House producer and DJ.
122
Median BPM
7A
Top key
2019
Active
38
Tracks
135 BPM — squarely in deep house territory, mixable within roughly 130–140 BPM without pitch artefacts.
G Major — 9B on the Camelot wheel. Harmonically compatible with 9A, 8B and 10B.
Tracks in 9B, 9A, 8B or 10B between ~130–140 BPM.
Groove sustainer — 45% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 135 BPM tracks · 9B tracks · 9B → 9A key pair · Harmonic mixing guide · Deep House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Call It What You Like
Robbie Doherty
134 BPM · 9A · Deep House
Relative key · -1 BPM — seamless blend
Shorty Out
Galcher Lustwerk
134 BPM · 10A · Deep House
Key jump · -1 BPM — seamless blend
Bass Electronic
Robbie Doherty
134 BPM · 8B · Minimal / Deep Tech
Adjacent key · -1 BPM — seamless blend
Out Of My Mind
East End Dubs
133 BPM · 10A · Deep House
Key jump · -2 BPM — seamless blend
Affected
not even noticed
135 BPM · 9A · Electronica
Relative key · same BPM — seamless blend
9B → 9B
Same key, ±2 BPM. With 55% groove and heavy bass, long blends work — cut the incoming bass until the switch.
WNE - Extended
Matt Karmil · 137 BPM · 9B
86 chemistry
9B → 9A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Call It What You Like
Robbie Doherty · 134 BPM · 9A
88 chemistry
9B → 8B · 10B
Adjacent keys through a breakdown. This one runs 5:28 — the outro gives you a full phrase to work with.
Bass Electronic
Robbie Doherty · 134 BPM · 8B
84 chemistry