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Ups And Downs album art

Indie Dance · 2022

Ups And Downs

The Organism

122

BPM

8B

C Major

Peak time

Energy

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Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Ups And Downs by The Organism is a bass-heavy Indie Dance track at 122 BPM with moderate drive and balanced groove. At 74% energy, it delivers peak-time intensity.

Released 29 Apr 2022 · 6:43 · 43% mood · -13 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthwarm

The bass weight is the story here — 85% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

74% energy places it in the peak — the top of the night — full commitment, the room is already yours.

About The Organism.

Indie Dance producer and DJ.

122

Median BPM

7B

Top key

2018–2023

Active

37

Tracks

View The Organism’s profile

Quick answers.

What BPM is Ups And Downs?

122 BPM — squarely in indie dance territory, mixable within roughly 117–127 BPM without pitch artefacts.

What key is Ups And Downs in?

C Major — 8B on the Camelot wheel. Harmonically compatible with 8A, 7B and 9B.

What mixes well with Ups And Downs?

Tracks in 8B, 8A, 7B or 9B between ~117–127 BPM.

Where does Ups And Downs fit in a DJ set?

Peak-time weapon — 74% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.

Explore: 122 BPM tracks · 8B tracks · 8B → 8A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

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Mixing out of this track.

Now122 BPM · 8B→ three ways forward
Hold the groove

8B → 8B

Same key, ±2 BPM. With 57% groove and heavy bass, long blends work — cut the incoming bass until the switch.

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Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

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