Rock · 2025
The Black Keys
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
You Got to Lose by The Black Keys is a bass-forward Rock track at 94 BPM with moderate drive and strong groove. At 47% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 8 Aug 2025 · 3:17 · 49% mood · -12 dB loudness
The feel
The warmth is the story here — 81% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
47% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
94 BPM — squarely in rock territory, mixable within roughly 89–99 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~89–99 BPM.
Groove sustainer — 47% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 94 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Sit Next to Me
Foster The People
97 BPM · 11B · Rock
Same key · +3 BPM — seamless blend
Back In Black
AC/DC
91 BPM · 11B · Rock
Same key · -3 BPM — seamless blend
Désarmer
Aya Nakamura
93 BPM · 11B · African
Same key · -1 BPM — energy stays level
Superman
Goldfinger
97 BPM · 10B · Rock
Adjacent key · +3 BPM — seamless blend
X TI
Kapo
95 BPM · 11B · Latin
Same key · +1 BPM — energy stays level
11B → 11B
Same key, ±2 BPM. With 69% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Sit Next to Me
Foster The People · 97 BPM · 11B
88 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 3:17 — the outro gives you a full phrase to work with.
Superman
Goldfinger · 97 BPM · 10B
82 chemistry