Pop · 2022
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Where Is The Love? by The Black Eyed Peas is a bass-forward Pop track at 94 BPM with low drive and strong groove. At 33% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Apr 2022 · 4:32 · 51% mood · -12 dB loudness
The feel
The warmth is the story here — 95% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
33% energy places it in the warm-up — setting the room up before the climb.
The Black Eyed Peas are a pop group known for blending hip-hop, dance, and electronic music into radio-friendly hits. The Los Angeles-based ensemble built a major commercial presence in the 2000s with their energetic…
125
Median BPM
12B
Top key
1998–2009
Active
12
Tracks
94 BPM — squarely in pop territory, mixable within roughly 89–99 BPM without pitch artefacts.
F Major — 7B on the Camelot wheel. Harmonically compatible with 7A, 6B and 8B.
Tracks in 7B, 7A, 6B or 8B between ~89–99 BPM.
Warm-up and opener — 33% energy with strong groove sets the tone before the energy climbs.
Explore: 94 BPM tracks · 7B tracks · 7B → 7A key pair · Harmonic mixing guide · Pop mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Long Tall Sally (The Thing)
Little Richard
92 BPM · 7B · Pop
Same key · -2 BPM — seamless blend
It Wasn't Me
Shaggy
95 BPM · 8B · Pop
Adjacent key · +1 BPM — seamless blend
Love On Top
Beyonce
94 BPM · 8B · Pop
Adjacent key · same BPM — seamless blend
Return of the Mack - C&J Extended Mix
Mark Morrison
95 BPM · 8A · Pop
Key jump · +1 BPM — seamless blend
Wouldn't It Be Good
Nik Kershaw
97 BPM · 8A · Pop
Key jump · +3 BPM — seamless blend
7B → 7B
Same key, ±2 BPM. With 72% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Long Tall Sally (The Thing)
Little Richard · 92 BPM · 7B
93 chemistry
7B → 7A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
7B → 6B · 8B
Adjacent keys through a breakdown. This one runs 4:32 — the outro gives you a full phrase to work with.
It Wasn't Me
Shaggy · 95 BPM · 8B
87 chemistry