
House · 1996
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Don't Take Your Luv - TKC Mix by That Kid Chris is a bass-heavy, groove-locked House track at 128 BPM with low drive and strong groove. At 19% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 12 Aug 1996 · 7:41 · 46% mood · -18 dB loudness
The feel
The groove is the story here — 95% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
19% energy places it in the warm-up — setting the room up before the climb.
House producer and DJ.
127
Median BPM
8A
Top key
1995–1997
Active
17
Tracks
128 BPM — squarely in house territory, mixable within roughly 123–133 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~123–133 BPM.
Warm-up and opener — 19% energy with strong groove sets the tone before the energy climbs.
Explore: 128 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide · House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Big Love
Pete Heller's Big Love
127 BPM · 11B · House
Key jump · -1 BPM — seamless blend
Bumped Off
Syncopation
126 BPM · 12A · House
Same key · -2 BPM — seamless blend

Reachin' feat. Kenny Bobien - B.O.P. Trance Mix
Instinct
126 BPM · 12A · House
Same key · -2 BPM — seamless blend

Brutal Groove 1
Brutal Bill Marquez
128 BPM · 11A · House
Adjacent key · same BPM — seamless blend

Distant
E.B.E.
127 BPM · 12A · House
Same key · -1 BPM — seamless blend
12A → 12A
Same key, ±2 BPM. With 95% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Bumped Off
Syncopation · 126 BPM · 12A
90 chemistry
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Somethin' Here - Original Version
Terrence Parker · 130 BPM · 12B
81 chemistry
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 7:41 — the outro gives you a full phrase to work with.
Brutal Groove 1
Brutal Bill Marquez · 128 BPM · 11A
89 chemistry