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Tracks/Don't Bite
Don't Bite album art

Electronica · 2021

Don't Bite

TACHES, REVE D'ELLE

85

BPM

11B

A Major

Warm-up

Energy

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About this track.

Don't Bite by TACHES, REVE D'ELLE is a bass-heavy Electronica track at 85 BPM with moderate drive and subtle groove. At 25% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 13 Jan 2021 · 3:28 · 57% mood · -20 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivemoderate
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

25% energy places it in the warm-up — setting the room up before the climb.

About TACHES.

TACHES is a deep house producer working within the genre's emphasis on atmospheric textures and rhythmic minimalism. Their work reflects the deep house tradition of building immersive, groove-oriented soundscapes.

121

Median BPM

5A

Top key

2019–2021

Active

12

Tracks

View TACHES’s profile

Quick answers.

What BPM is Don't Bite?

85 BPM — squarely in electronica territory, mixable within roughly 80–90 BPM without pitch artefacts.

What key is Don't Bite in?

A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.

What mixes well with Don't Bite?

Tracks in 11B, 11A, 10B or 12B between ~80–90 BPM.

Where does Don't Bite fit in a DJ set?

Warm-up and opener — 25% energy sets the tone before the energy climbs.

Explore: 85 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

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Mixing out of this track.

Now85 BPM · 11B→ three ways forward
Hold the groove

11B → 11B

Same key, ±2 BPM. With 0% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Dilmun

The Orb · 87 BPM · 11B

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Push the energy

11B → 11A

Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Sonus Ruinae part 1

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Change direction

11B → 10B · 12B

Adjacent keys through a breakdown. This one runs 3:28 — the outro gives you a full phrase to work with.

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