Electronica · 2020
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
øpenJA[zzz...] by SW. is a bass-heavy Electronica track at 111 BPM with moderate drive and balanced groove. At 37% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 24 Jul 2020 · 4:21 · 39% mood · -16 dB loudness
The feel
The bass weight is the story here — 85% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
37% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Electronica producer and DJ.
128
Median BPM
4A
Top key
19
Tracks
111 BPM — squarely in electronica territory, mixable within roughly 106–116 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~106–116 BPM.
Groove sustainer — 37% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 111 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Day & Night
Dabeull
109 BPM · 10A · Electronica
Adjacent key · -2 BPM — seamless blend
Fidelity
not even noticed
110 BPM · 9A · Electronica
Same key · -1 BPM — seamless blend
Les 10 jours fous (feat. Mooloodjee)
Etienne De Crecy
114 BPM · 9A · Electronica
Same key · +3 BPM — seamless blend
Unfinished Sympathy - 2012 Mix/Master
Shara Nelson
114 BPM · 8B · Electronica
Key jump · +3 BPM — seamless blend
Man on the Run
Be Svendsen
110 BPM · 8A · Electronica
Adjacent key · -1 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 48% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Fidelity
not even noticed · 110 BPM · 9A
90 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Tied Up
LFO · 110 BPM · 9B
85 chemistry
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 4:21 — the outro gives you a full phrase to work with.
Day & Night
Dabeull · 109 BPM · 10A
86 chemistry