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Tracks/Heard It All Before
Heard It All Before album art

R&B · 2001

Heard It All Before

Sunshine Anderson

97

BPM

3A

B♭ Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Heard It All Before by Sunshine Anderson is a bass-forward R&B track at 97 BPM with low drive and balanced groove. At 39% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 17 Apr 2001 · 4:55 · 47% mood · -11 dB loudness

The feel

Groovebalanced
Bass weightforward
Driverestrained
Warmthwarm

The warmth is the story here — 79% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

39% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

Quick answers.

What BPM is Heard It All Before?

97 BPM — squarely in r&b territory, mixable within roughly 92–102 BPM without pitch artefacts.

What key is Heard It All Before in?

B♭ Minor — 3A on the Camelot wheel. Harmonically compatible with 3B, 2A and 4A.

What mixes well with Heard It All Before?

Tracks in 3A, 3B, 2A or 4A between ~92–102 BPM.

Where does Heard It All Before fit in a DJ set?

Groove sustainer — 39% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 97 BPM tracks · 3A tracks · 3A → 3B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

590 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

Show differentPro
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Eve

97 BPM · 3A · R&B

Same key · same BPM — seamless blend

92

My Lovin' (You're Never Gonna Get It)

En Vogue

98 BPM · 3A · R&B

Same key · +1 BPM — seamless blend

88

Put It On Me

Vita

93 BPM · 2B · R&B

Key jump · -4 BPM — seamless blend

90

Let It Go

Lil' Kim

95 BPM · 2A · R&B

Adjacent key · -2 BPM — seamless blend

86

So Sick

Ne-Yo

95 BPM · 3B · R&B

Relative key · -2 BPM — seamless blend

Mixing out of this track.

Now97 BPM · 3A→ three ways forward
Hold the groove

3A → 3A

Same key, ±2 BPM. With 52% groove and heavy bass, long blends work — cut the incoming bass until the switch.

My Lovin' (You're Never Gonna Get It)

En Vogue · 98 BPM · 3A

92 chemistry

Push the energy

3A → 3B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

So Sick

Ne-Yo · 95 BPM · 3B

86 chemistry

Change direction

3A → 2A · 4A

Adjacent keys through a breakdown. This one runs 4:55 — the outro gives you a full phrase to work with.

Let It Go

Lil' Kim · 95 BPM · 2A

90 chemistry

More around 97 BPM in compatible keys.

hate that i made you love me

Ariana Grande · 96 BPM · 3A

Hips Don't Lie

Wyclef Jean · 100 BPM · 3A

No Me Conoce - Remix

J Balvin · 92 BPM · 3A

Still D.R.E.

Dr. Dre · 94 BPM · 3A

Boyfriend

Justin Bieber · 97 BPM · 3A

La Santa

Daddy Yankee · 93 BPM · 3A