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Sleep (with Calcium) album art

Dubstep · 2022

Sleep (with Calcium)

Sullivan King, Calcium

149

BPM

2A

E♭ Minor

Builder

Energy

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About this track.

Sleep (with Calcium) by Sullivan King, Calcium is a bass-forward Dubstep track at 149 BPM with moderate drive and balanced groove. At 69% energy, it works as an energy builder — pushing the floor forward without peaking.

Released 16 Jun 2022 · 3:34 · 49% mood · -7 dB loudness

The feel

Groovebalanced
Bass weightforward
Drivemoderate
Warmthbalanced

The bass weight is the story here — 74% puts it in the upper tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

69% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Sullivan King.

Sullivan King is a dubstep producer and DJ known for heavy, bass-driven electronic music. He has built a presence in the dubstep community through releases and live performances.

150

Median BPM

2A

Top key

2017–2026

Active

30

Tracks

View Sullivan King’s profile

Quick answers.

What BPM is Sleep (with Calcium)?

149 BPM — squarely in dubstep territory, mixable within roughly 144–154 BPM without pitch artefacts.

What key is Sleep (with Calcium) in?

E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.

What mixes well with Sleep (with Calcium)?

Tracks in 2A, 2B, 1A or 3A between ~144–154 BPM.

Where does Sleep (with Calcium) fit in a DJ set?

Mid-set energy builder — 69% energy with a steady groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.

Explore: 149 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide

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Mixes well with this track

548 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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92

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Same key · +1 BPM — seamless blend

Mixing out of this track.

Now149 BPM · 2A→ three ways forward
Hold the groove

2A → 2A

Same key, ±2 BPM. With 57% groove and heavy bass, long blends work — cut the incoming bass until the switch.

The Dead March

Ray Volpe · 150 BPM · 2A

92 chemistry

Push the energy

2A → 2B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

2A → 1A · 3A

Adjacent keys through a breakdown. This one runs 3:34 — the outro gives you a full phrase to work with.

Loopholes

Subtronics · 150 BPM · 3A

91 chemistry

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