Trap / Future Bass · 2014
Son Of KickLady LeshurrPaigey Cakey
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Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Hours by Son Of Kick, Lady Leshurr, Paigey Cakey is a bass-heavy Trap / Future Bass track at 133 BPM with moderate drive and subtle groove. At 60% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 11 May 2014 · 4:30 · 40% mood · -8 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
60% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
133 BPM — squarely in trap / future bass territory, mixable within roughly 128–138 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~128–138 BPM.
Mid-set energy builder — 60% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 133 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Old Town Road
Lil Nas X
68 BPM · 1A · Trap / Future Bass
Adjacent key · half-time — seamless blend
Ca$ino
Baby Keem
137 BPM · 2A · Hip-Hop
Same key · +4 BPM — seamless blend
JU$T (feat. Pharrell Williams & Zack de la Rocha)
Pharrell Williams
133 BPM · 3A · Trap / Future Bass
Adjacent key · same BPM — seamless blend
Big Shot
Kendrick Lamar
130 BPM · 3A · Trap / Future Bass
Adjacent key · -3 BPM — seamless blend
GLIMPSE
Nikko
132 BPM · 2A · Trap / Future Bass
Same key · -1 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 32% groove and heavy bass, long blends work — cut the incoming bass until the switch.
51
Bellorum · 135 BPM · 2A
90 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 4:30 — the outro gives you a full phrase to work with.
JU$T (feat. Pharrell Williams & Zack de la Rocha)
Pharrell Williams · 133 BPM · 3A
86 chemistry