Dance · 2016
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Yo Baby! by Sharam Jey, Frey is a bass-heavy Dance track at 118 BPM with moderate drive and balanced groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 18 Jan 2016 · 5:53 · 39% mood · -10 dB loudness
The feel
The bass weight is the story here — 94% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Sharam Jey is an indie dance producer and DJ known for crafting intricate, rhythmically complex tracks that blend electronic production with dance sensibilities.
122
Median BPM
5A
Top key
2001–2020
Active
114
Tracks
118 BPM — squarely in dance territory, mixable within roughly 113–123 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~113–123 BPM.
Groove sustainer — 55% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 118 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Don't Be Shy
Tiesto
120 BPM · 10A · Dance
Same key · +2 BPM — seamless blend
El Matador
Vesim Ipek
120 BPM · 9A · Dance
Adjacent key · +2 BPM — seamless blend
Come Get Me (feat. Preston Harris)
Preston Harris
118 BPM · 10A · Dance
Same key · same BPM — seamless blend
Feelings After Dark (feat. NISHA)
Michael Calfan
120 BPM · 10A · Dance
Same key · +2 BPM — seamless blend
Spice
Michael Brun
118 BPM · 11A · Dance
Adjacent key · same BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 63% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Come Get Me (feat. Preston Harris)
Preston Harris · 118 BPM · 10A
90 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Run It Up
EARTHGANG · 120 BPM · 10B
87 chemistry
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 5:53 — the outro gives you a full phrase to work with.
El Matador
Vesim Ipek · 120 BPM · 9A
89 chemistry