Pop · 2017
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Get Busy by Sean Paul is a bass-forward Pop track at 100 BPM with moderate drive and balanced groove. At 47% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 2 Jun 2017 · 3:31 · 49% mood · -11 dB loudness
The feel
The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
47% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Sean Paul is a Jamaican dancehall and reggae artist known for blending Caribbean rhythms with pop and hip-hop influences. His catalog spans multiple decades and includes both dancehall hits and crossover collaborations…
101
Median BPM
2A
Top key
1998–2026
Active
55
Tracks
100 BPM — squarely in pop territory, mixable within roughly 95–105 BPM without pitch artefacts.
F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.
Tracks in 4A, 4B, 3A or 5A between ~95–105 BPM.
Groove sustainer — 47% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 100 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide · Pop mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
You'll Be In My Heart
Phil Collins
97 BPM · 4A · Pop
Same key · -3 BPM — seamless blend
Boyfriend
Justin Bieber
97 BPM · 3A · Pop
Adjacent key · -3 BPM — seamless blend
American Girls
Harry Styles
101 BPM · 3B · Pop
Key jump · +1 BPM — seamless blend
Dirrty
Redman
100 BPM · 6A · Pop
Energy-boost key · same BPM — seamless blend
Million Pound Girl (Badder Than Bad)
Fuse ODG
100 BPM · 3B · Pop
Key jump · same BPM — seamless blend
4A → 4A
Same key, ±2 BPM. With 60% groove and heavy bass, long blends work — cut the incoming bass until the switch.
You'll Be In My Heart
Phil Collins · 97 BPM · 4A
91 chemistry
4A → 4B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
4A → 3A · 5A
Adjacent keys through a breakdown. This one runs 3:31 — the outro gives you a full phrase to work with.
Boyfriend
Justin Bieber · 97 BPM · 3A
86 chemistry