Electronica · 2019
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
He Worked with His Eyes Lowered by Russell Haswell is a bass-heavy Electronica track at 140 BPM with moderate drive and subtle groove. At 50% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 6 Dec 2019 · 3:33 · 29% mood · -13 dB loudness
The feel
The bass weight is the story here — 100% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
50% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Electronica producer and DJ.
133
Median BPM
8A
Top key
7
Tracks
140 BPM — squarely in electronica territory, mixable within roughly 135–145 BPM without pitch artefacts.
A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.
Tracks in 8A, 8B, 7A or 9A between ~135–145 BPM.
Groove sustainer — 50% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 140 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Cracks (Flux Pavilion Remix)
Freestylers
140 BPM · 8A · Electronica
Same key · same BPM — seamless blend
Pulses of Information
Rival Consoles
140 BPM · 8A · Electronica
Same key · same BPM — seamless blend
Amanita
Of The Trees
140 BPM · 7B · Electronica
Key jump · same BPM — seamless blend
High On U
Rodney Hazard
140 BPM · 8A · Electronica
Same key · same BPM — seamless blend
Wake Up
Alison Wonderland
140 BPM · 9A · Electronica
Adjacent key · same BPM — seamless blend
8A → 8A
Same key, ±2 BPM. With 20% groove and heavy bass, long blends work — cut the incoming bass until the switch.
High On U
Rodney Hazard · 140 BPM · 8A
88 chemistry
8A → 8B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
i wanna dance
Dahliah · 140 BPM · 8B
80 chemistry
8A → 7A · 9A
Adjacent keys through a breakdown. This one runs 3:33 — the outro gives you a full phrase to work with.
Wake Up
Alison Wonderland · 140 BPM · 9A
84 chemistry