Dubstep · 2014
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Get Mad by Rob Gasser is a bass-heavy Dubstep track at 140 BPM with moderate drive and balanced groove. At 74% energy, it delivers peak-time intensity.
Released 22 Sep 2014 · 4:09 · 48% mood · -8 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
74% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Rob Gasser is a dubstep producer known for his work in heavy electronic music. His productions explore the darker and more technical dimensions of the dubstep genre.
140
Median BPM
11A
Top key
2013–2018
Active
18
Tracks
140 BPM — squarely in dubstep territory, mixable within roughly 135–145 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~135–145 BPM.
Peak-time weapon — 74% energy with a steady groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 140 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
REDLINE
Virtual Riot
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Laserbeam
Ray Volpe
75 BPM · 2A · Dubstep
Same key · -65 BPM — seamless blend
Brotherhood
Code:Pandorum
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Glitch Fight
Subtronics
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
FLUTTER
Fadent
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 60% groove and heavy bass, long blends work — cut the incoming bass until the switch.
REDLINE
Virtual Riot · 140 BPM · 2A
93 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 4:09 — the outro gives you a full phrase to work with.
Ease My Mind
Skrillex · 75 BPM · 1A
87 chemistry