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Tracks/So Damn Good
So Damn Good album art

Mainstage · 2025

So Damn Good

RK, Agent Jack, Gav Adam

147

BPM

4A

F Minor

Peak time

Energy

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Previews courtesy ofListen on Apple Music

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Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

So Damn Good by RK, Agent Jack, Gav Adam is a bass-heavy, high-drive Mainstage track at 147 BPM with high drive and subtle groove. At 100% energy, it delivers peak-time intensity.

Released 11 Jan 2025 · 6:49 · 42% mood · -11 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivehigh
Warmthcool-toned

The drive is the story here — 83% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

100% energy places it in the peak — the top of the night — full commitment, the room is already yours.

Quick answers.

What BPM is So Damn Good?

147 BPM — squarely in mainstage territory, mixable within roughly 142–152 BPM without pitch artefacts.

What key is So Damn Good in?

F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.

What mixes well with So Damn Good?

Tracks in 4A, 4B, 3A or 5A between ~142–152 BPM.

Where does So Damn Good fit in a DJ set?

Peak-time weapon — 100% energy hits hard and holds the floor. Drop it when the room is already yours.

Explore: 147 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

258 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now147 BPM · 4A→ three ways forward
Hold the groove

4A → 4A

Same key, ±2 BPM. With 38% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Squid Play - Player 456 Mix

Blasterjaxx · 150 BPM · 4A

91 chemistry

Push the energy

4A → 4B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Speakers Blowing - Extended Mix

Funk Tribu · 148 BPM · 4B

83 chemistry

Change direction

4A → 3A · 5A

Adjacent keys through a breakdown. This one runs 6:49 — the outro gives you a full phrase to work with.

Like a Fool

Marie Vaunt · 150 BPM · 5A

85 chemistry

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