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Tracks/Insisting On Existing
Insisting On Existing album art

House · 2017

Insisting On Existing

Red Eye, Jesse Rose

116

BPM

2A

E♭ Minor

Sustainer

Energy

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Checking key, tempo, energy, groove, mood and vocals.

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Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Insisting On Existing by Red Eye, Jesse Rose is a bass-heavy, groove-locked House track at 116 BPM with moderate drive and strong groove. At 45% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 15 Mar 2017 · 3:04 · 42% mood · -10 dB loudness

The feel

Groovelocked in
Bass weightheavy
Drivemoderate
Warmthcool-toned

The bass weight is the story here — 84% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

45% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Red Eye.

House producer and DJ.

125

Median BPM

4A

Top key

2017–2024

Active

11

Tracks

View Red Eye’s profile

Quick answers.

What BPM is Insisting On Existing?

116 BPM — squarely in house territory, mixable within roughly 111–121 BPM without pitch artefacts.

What key is Insisting On Existing in?

E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.

What mixes well with Insisting On Existing?

Tracks in 2A, 2B, 1A or 3A between ~111–121 BPM.

Where does Insisting On Existing fit in a DJ set?

Groove sustainer — 45% energy with strong groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 116 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide · House mixing guide

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Mixes well with this track

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Mixing out of this track.

Now116 BPM · 2A→ three ways forward
Hold the groove

2A → 2A

Same key, ±2 BPM. With 82% groove and heavy bass, long blends work — cut the incoming bass until the switch.

I Can See It - Miguel Migs Salted Vocal Mix

Lisa Shaw · 118 BPM · 2A

89 chemistry

Push the energy

2A → 2B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Change direction

2A → 1A · 3A

Adjacent keys through a breakdown. This one runs 3:04 — the outro gives you a full phrase to work with.

2 Die 4

Tove Lo · 118 BPM · 3A

88 chemistry

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