Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Tommy Lee by Post Malone, Tyla Yaweh is a bass-heavy Trap / Future Bass track at 89 BPM with moderate drive and subtle groove. At 49% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 12 Jun 2020 · 3:44 · 60% mood · -13 dB loudness
The feel
The bass weight is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
49% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Post Malone is an American rapper and singer known for blending hip-hop with pop and rock influences. His melodic approach to trap and cloud rap production helped define the sound of the late 2010s, with a catalog…
120
Median BPM
9B
Top key
2015–2025
Active
14
Tracks
89 BPM — squarely in trap / future bass territory, mixable within roughly 84–94 BPM without pitch artefacts.
B♭ Major — 6B on the Camelot wheel. Harmonically compatible with 6A, 5B and 7B.
Tracks in 6B, 6A, 5B or 7B between ~84–94 BPM.
Groove sustainer — 49% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 89 BPM tracks · 6B tracks · 6B → 6A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Babel
Gustavo Bravetti
91 BPM · 6A · Trap / Future Bass
Relative key · +2 BPM — seamless blend
Mood
24KGoldn
91 BPM · 6B · Trap / Future Bass
Same key · +2 BPM — seamless blend
No Denying
J Hus
93 BPM · 7A · Trap / Future Bass
Key jump · +4 BPM — seamless blend
Out On The Road
Devilman
88 BPM · 6B · Trap / Future Bass
Same key · -1 BPM — seamless blend
City Girls
Chris Brown
92 BPM · 7B · Trap / Future Bass
Adjacent key · +3 BPM — seamless blend
6B → 6B
Same key, ±2 BPM. With 0% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Out On The Road
Devilman · 88 BPM · 6B
88 chemistry
6B → 6A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Babel
Gustavo Bravetti · 91 BPM · 6A
88 chemistry
6B → 5B · 7B
Adjacent keys through a breakdown. This one runs 3:44 — the outro gives you a full phrase to work with.
City Girls
Chris Brown · 92 BPM · 7B
83 chemistry