Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
SOS (VIP) - VIP by Phaseone, Make Them Suffer is a bass-heavy Dubstep track at 140 BPM with moderate drive and subtle groove. At 88% energy, it delivers peak-time intensity.
Released 14 Nov 2025 · 3:51 · 47% mood · -6 dB loudness
The feel
The bass weight is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
88% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Phaseone is a dubstep producer and DJ known for his work within the genre's bass-heavy sound design and dynamic production approach. His contributions span both original compositions and remix work, establishing him as…
140
Median BPM
2A
Top key
2014–2026
Active
69
Tracks
140 BPM — squarely in dubstep territory, mixable within roughly 135–145 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~135–145 BPM.
Peak-time weapon — 88% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 140 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
SOS
Phaseone
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
Log On
Scrufizzer
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
The Booze Bandits
YUNIT.
143 BPM · 2A · Dubstep
Same key · +3 BPM — seamless blend
SILENCE
HURTBOX
140 BPM · 1B · Dubstep
Key jump · same BPM — seamless blend
FINAL FORM
MAD DUBZ
140 BPM · 2A · Dubstep
Same key · same BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 20% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Silas
Astaroth · 140 BPM · 2A
91 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 3:51 — the outro gives you a full phrase to work with.
WET DREAM
Carol · 141 BPM · 3A
89 chemistry