
House · 2000
OnionzMaster D
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Can't Turn To Momma by Onionz, Master D is a bass-heavy, groove-locked House track at 129 BPM with moderate drive and strong groove. At 28% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 1 Apr 2000 · 7:21 · 46% mood · -16 dB loudness
The feel
The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
28% energy places it in the warm-up — setting the room up before the climb.
129 BPM — squarely in house territory, mixable within roughly 124–134 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~124–134 BPM.
Warm-up and opener — 28% energy with strong groove sets the tone before the energy climbs.
Explore: 129 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide · House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Big Love
Pete Heller's Big Love
127 BPM · 11B · House
Same key · -2 BPM — seamless blend
Bad Habit
ATFC
129 BPM · 10A · House
Key jump · same BPM — seamless blend
Magic Carpet Ride
Mighty Dub Katz
129 BPM · 12A · House
Key jump · same BPM — seamless blend
Banji Dance
Cassanova's Revenge
128 BPM · 11B · House
Same key · -1 BPM — seamless blend
Cro-Magnon
Constipated Monkeys
127 BPM · 10A · House
Key jump · -2 BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 81% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Big Love
Pete Heller's Big Love · 127 BPM · 11B
89 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Someday
Eddie Richards · 128 BPM · 11A
80 chemistry
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 7:21 — the outro gives you a full phrase to work with.
911 Angel
Maas · 129 BPM · 10B
86 chemistry