Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Devil's Grip feat. JEMANJA by Nuvertal, JEMANJA is a bass-heavy Drum & Bass track at 87 BPM with moderate drive and subtle groove. At 94% energy, it delivers peak-time intensity.
Released 21 Feb 2025 · 4:13 · 47% mood · -7 dB loudness
The feel
The bass weight is the story here — 80% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
94% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Drum & Bass producer and DJ.
87
Median BPM
4A
Top key
6
Tracks
87 BPM — squarely in drum & bass territory, mixable within roughly 82–92 BPM without pitch artefacts.
B Major — 1B on the Camelot wheel. Harmonically compatible with 1A, 12B and 2B.
Tracks in 1B, 1A, 12B or 2B between ~82–92 BPM.
Peak-time weapon — 94% energy hits hard and holds the floor. Drop it when the room is already yours.
Explore: 87 BPM tracks · 1B tracks · 1B → 1A key pair · Harmonic mixing guide · Drum and Bass mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
To The Grave
RIENK
88 BPM · 2A · Drum & Bass
Key jump · +1 BPM — seamless blend
Hydra
Delta Heavy
87 BPM · 12B · Drum & Bass
Adjacent key · same BPM — seamless blend
Just Hold On - Sub Focus & Wilkinson vs. Pola & Bryson Remix
Sub Focus
87 BPM · 2A · Drum & Bass
Key jump · same BPM — seamless blend
Nine Lives - Remastered
Mean Teeth
88 BPM · 2A · Drum & Bass
Key jump · +1 BPM — seamless blend
Kickback
Gancher & Ruin
87 BPM · 2B · Drum & Bass
Adjacent key · same BPM — seamless blend
1B → 1B
Same key, ±2 BPM. With 23% groove and heavy bass, long blends work — cut the incoming bass until the switch.
lose control
James Hiraeth · 88 BPM · 1B
84 chemistry
1B → 1A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Machina
Wilkinson · 87 BPM · 1A
85 chemistry
1B → 12B · 2B
Adjacent keys through a breakdown. This one runs 4:13 — the outro gives you a full phrase to work with.
Bugs
Audio · 87 BPM · 2B
90 chemistry