Breaks / Breakbeat / UK Bass · 2017
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Somewhere Shadows by Nixon is a bass-heavy Breaks / Breakbeat / UK Bass track at 83 BPM with moderate drive and subtle groove. At 55% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 13 Feb 2017 · 4:33 · 51% mood · -11 dB loudness
The feel
The bass weight is the story here — 86% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
55% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Nixon is a breakbeat and UK bass producer working within the breaks and drum and bass sphere. His work emphasizes intricate rhythmic layering and bass-driven production techniques characteristic of the genre.
130
Median BPM
11B
Top key
2014–2017
Active
8
Tracks
83 BPM — squarely in breaks / breakbeat / uk bass territory, mixable within roughly 78–88 BPM without pitch artefacts.
A Major — 11B on the Camelot wheel. Harmonically compatible with 11A, 10B and 12B.
Tracks in 11B, 11A, 10B or 12B between ~78–88 BPM.
Groove sustainer — 55% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 83 BPM tracks · 11B tracks · 11B → 11A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Dead MC's
Deekline
81 BPM · 11A · Breaks / Breakbeat / UK Bass
Relative key · -2 BPM — seamless blend
Deep in my Feelings
SOBSTORY
85 BPM · 12A · Breaks / Breakbeat / UK Bass
Key jump · +2 BPM — seamless blend
Solo Move
Dave N.A.
84 BPM · 12A · Breaks / Breakbeat / UK Bass
Key jump · +1 BPM — seamless blend
Mind Wrecker
Leeroy Thornhill
83 BPM · 12B · Breaks / Breakbeat / UK Bass
Adjacent key · same BPM — seamless blend
Heavyw8
Chaca
80 BPM · 11B · Breaks / Breakbeat / UK Bass
Same key · -3 BPM — seamless blend
11B → 11B
Same key, ±2 BPM. With 38% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Heavyw8
Chaca · 80 BPM · 11B
85 chemistry
11B → 11A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Dead MC's
Deekline · 81 BPM · 11A
84 chemistry
11B → 10B · 12B
Adjacent keys through a breakdown. This one runs 4:33 — the outro gives you a full phrase to work with.
Mind Wrecker
Leeroy Thornhill · 83 BPM · 12B
88 chemistry