Electronica · 1995
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Cruise (Don't Stop) by Nightmares On Wax is a bass-heavy Electronica track at 94 BPM with low drive and strong groove. At 19% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 25 Sep 1995 · 7:05 · 44% mood · -21 dB loudness
The feel
The bass weight is the story here — 90% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
19% energy places it in the warm-up — setting the room up before the climb.
Nightmares on Wax is a British electronic music act known for blending downtempo, jazz, and hip-hop influences into atmospheric soundscapes.
104
Median BPM
5A
Top key
1990–2026
Active
44
Tracks
94 BPM — squarely in electronica territory, mixable within roughly 89–99 BPM without pitch artefacts.
E Minor — 9A on the Camelot wheel. Harmonically compatible with 9B, 8A and 10A.
Tracks in 9A, 9B, 8A or 10A between ~89–99 BPM.
Warm-up and opener — 19% energy with strong groove sets the tone before the energy climbs.
Explore: 94 BPM tracks · 9A tracks · 9A → 9B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Georgy Porgy
Toto
97 BPM · 9A · Electronica
Same key · +3 BPM — seamless blend
I Keep Forgettin' (Every Time You're Near)
Michael McDonald
96 BPM · 9A · Electronica
Same key · +2 BPM — seamless blend
Blue Lines - 2012 Mix/Master
Tricky
96 BPM · 9A · Electronica
Same key · +2 BPM — seamless blend

Flou
sy_am
95 BPM · 9A · Electronica
Same key · +1 BPM — seamless blend
Venasque
Ian Pooley
97 BPM · 8B · Nu Disco / Disco
Key jump · +3 BPM — seamless blend
9A → 9A
Same key, ±2 BPM. With 70% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Flou
sy_am · 95 BPM · 9A
90 chemistry
9A → 9B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Electric Counterpoint
Steve Reich · 96 BPM · 9B
78 chemistry
9A → 8A · 10A
Adjacent keys through a breakdown. This one runs 7:05 — the outro gives you a full phrase to work with.
Test Me
Pal Joey · 96 BPM · 10A
85 chemistry