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Tracks/The Three Sides of Audrey and Why She's All Alone Now
The Three Sides of Audrey and Why She's All Alone Now album art

Electronica · 2024

The Three Sides of Audrey and Why She's All Alone Now

Nicolas Jaar

102

BPM

8A

A Minor

Sustainer

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

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Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

The Three Sides of Audrey and Why She's All Alone Now by Nicolas Jaar is a bass-heavy, high-drive Electronica track at 102 BPM with high drive and subtle groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.

Released 10 May 2024 · 7:30 · 57% mood · -16 dB loudness

The feel

Groovesubtle
Bass weightheavy
Drivehigh
Warmthbalanced

The bass weight is the story here — 88% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.

About Nicolas Jaar.

Nicolas Jaar is a Chilean-American electronic musician and producer known for experimental and ambient work within electronica and electronic music.

111

Median BPM

8A

Top key

2009–2024

Active

9

Tracks

View Nicolas Jaar’s profile

Quick answers.

What BPM is The Three Sides of Audrey and Why She's All Alone Now?

102 BPM — squarely in electronica territory, mixable within roughly 97–107 BPM without pitch artefacts.

What key is The Three Sides of Audrey and Why She's All Alone Now in?

A Minor — 8A on the Camelot wheel. Harmonically compatible with 8B, 7A and 9A.

What mixes well with The Three Sides of Audrey and Why She's All Alone Now?

Tracks in 8A, 8B, 7A or 9A between ~97–107 BPM.

Where does The Three Sides of Audrey and Why She's All Alone Now fit in a DJ set?

Groove sustainer — 52% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.

Explore: 102 BPM tracks · 8A tracks · 8A → 8B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

493 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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102 BPM · 7A · Electronica

Adjacent key · same BPM — seamless blend

88

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105 BPM · 7A · Electronica

Adjacent key · +3 BPM — seamless blend

92

Parodia Flare

Tropics

103 BPM · 8A · Electronica

Same key · +1 BPM — seamless blend

91

The One That Holds

John Daly

103 BPM · 8A · Electronica

Same key · +1 BPM — seamless blend

86

Fool - Extended Mix

Rome in Silver

100 BPM · 8A · Electronica

Same key · -2 BPM — seamless blend

Mixing out of this track.

Now102 BPM · 8A→ three ways forward
Hold the groove

8A → 8A

Same key, ±2 BPM. With 20% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Parodia Flare

Tropics · 103 BPM · 8A

92 chemistry

Push the energy

8A → 8B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Hazel and Gold

Daniel Avery · 100 BPM · 8B

83 chemistry

Change direction

8A → 7A · 9A

Adjacent keys through a breakdown. This one runs 7:30 — the outro gives you a full phrase to work with.

Il Changeait La Vie - Extended Mix

Danny Wild · 102 BPM · 7A

90 chemistry

More around 102 BPM in compatible keys.

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Sean Paul · 102 BPM · 8A

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Alejandro Sanz · 100 BPM · 8A

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Bad Bunny · 98 BPM · 8A

Come On Eileen

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Lauryn Hill · 100 BPM · 8A