R&B · 1987
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Mr. Telephone Man by New Edition is a bass-forward, groove-locked R&B track at 94 BPM with low drive and strong groove. At 16% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 29 Jun 1987 · 3:59 · 52% mood · -21 dB loudness
The feel
The warmth is the story here — 94% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
16% energy places it in the warm-up — setting the room up before the climb.
R&B producer and DJ.
98
Median BPM
10B
Top key
1984–1988
Active
3
Tracks
94 BPM — squarely in r&b territory, mixable within roughly 89–99 BPM without pitch artefacts.
D Major — 10B on the Camelot wheel. Harmonically compatible with 10A, 9B and 11B.
Tracks in 10B, 10A, 9B or 11B between ~89–99 BPM.
Warm-up and opener — 16% energy with strong groove sets the tone before the energy climbs.
Explore: 94 BPM tracks · 10B tracks · 10B → 10A key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Hey Mr. D.J.
Zhané
101 BPM · 11A · R&B
Key jump · +7 BPM — seamless blend
Come & Talk To Me
Jodeci
86 BPM · 10B · R&B
Same key · -8 BPM — seamless blend
On The Radio - Long Version
Donna Summer
96 BPM · 10B · R&B
Same key · +2 BPM — seamless blend
Human Nature
Michael Jackson
93 BPM · 10B · Pop
Same key · -1 BPM — seamless blend
Baila Esta Cumbia
Selena
91 BPM · 9B · Latin
Adjacent key · -3 BPM — seamless blend
10B → 10B
Same key, ±2 BPM. With 87% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Come & Talk To Me
Jodeci · 86 BPM · 10B
83 chemistry
10B → 10A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
All Night Long
Mary Jane Girls · 95 BPM · 10A
83 chemistry
10B → 9B · 11B
Adjacent keys through a breakdown. This one runs 3:59 — the outro gives you a full phrase to work with.
Too Close - Extended Version
Next · 99 BPM · 11B
83 chemistry