Trap / Future Bass · 2018
Naeem
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Sway(e)d by Naeem is a bass-heavy Trap / Future Bass track at 146 BPM with moderate drive and subtle groove. At 48% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 10 Aug 2018 · 3:25 · 42% mood · -12 dB loudness
The feel
The bass weight is the story here — 85% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
48% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
146 BPM — squarely in trap / future bass territory, mixable within roughly 141–151 BPM without pitch artefacts.
E♭ Minor — 2A on the Camelot wheel. Harmonically compatible with 2B, 1A and 3A.
Tracks in 2A, 2B, 1A or 3A between ~141–151 BPM.
Groove sustainer — 48% energy keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 146 BPM tracks · 2A tracks · 2A → 2B key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Sky Walker
Miguel
146 BPM · 3A · Trap / Future Bass
Adjacent key · same BPM — seamless blend
Heads Or Tails
Amba Shepherd
145 BPM · 2A · Trap / Future Bass
Same key · -1 BPM — seamless blend
Lost Files
Polo G
145 BPM · 2A · Trap / Future Bass
Same key · -1 BPM — seamless blend
What's Going On feat. Isabel Higuero
Droptek
145 BPM · 2A · Trap / Future Bass
Same key · -1 BPM — seamless blend
STOOPID (feat. Bobby Shmurda)
6ix9ine
150 BPM · 2A · Trap / Future Bass
Same key · +4 BPM — seamless blend
2A → 2A
Same key, ±2 BPM. With 39% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Heads Or Tails
Amba Shepherd · 145 BPM · 2A
92 chemistry
2A → 2B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
2A → 1A · 3A
Adjacent keys through a breakdown. This one runs 3:25 — the outro gives you a full phrase to work with.
Back to Basics
Skepta · 142 BPM · 1A
89 chemistry