Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
For Good by Moods, Munan is a bass-heavy R&B / Soul track at 114 BPM with moderate drive and strong groove. At 31% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 20 Mar 2026 · 3:11 · 47% mood · -14 dB loudness
The feel
The bass weight is the story here — 87% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
31% energy places it in the warm-up — setting the room up before the climb.
Moods is a trap and future bass producer working in electronic music's intersection of atmospheric production and hard-hitting percussion.
101
Median BPM
1A
Top key
2019–2024
Active
12
Tracks
114 BPM — squarely in r&b territory, mixable within roughly 109–119 BPM without pitch artefacts.
E Major — 12B on the Camelot wheel. Harmonically compatible with 12A, 11B and 1B.
Tracks in 12B, 12A, 11B or 1B between ~109–119 BPM.
Warm-up and opener — 31% energy with strong groove sets the tone before the energy climbs.
Explore: 114 BPM tracks · 12B tracks · 12B → 12A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Roses
Abra
115 BPM · 1A · R&B
Key jump · +1 BPM — seamless blend
Stand By Me
Ben E. King
119 BPM · 11B · R&B
Adjacent key · +5 BPM — seamless blend
Isn't She Lovely
Stevie Wonder
119 BPM · 12B · R&B
Same key · +5 BPM — seamless blend
Hollywood Swinging
Kool & The Gang
110 BPM · 12B · R&B
Same key · -4 BPM — seamless blend
Good Days
SZA
121 BPM · 12B · R&B
Same key · +7 BPM — seamless blend
12B → 12B
Same key, ±2 BPM. With 67% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Hollywood Swinging
Kool & The Gang · 110 BPM · 12B
87 chemistry
12B → 12A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Love's Comin' At Ya - 2004 Digital Remaster
Melba Moore · 114 BPM · 12A
86 chemistry
12B → 11B · 1B
Adjacent keys through a breakdown. This one runs 3:11 — the outro gives you a full phrase to work with.
Stand By Me
Ben E. King · 119 BPM · 11B
86 chemistry