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Tracks/Lost in Love
Lost in Love album art

Indie Dance · 2025

Lost in Love

Mona, Bell Towers

128

BPM

4A

F Minor

Warm-up

Energy

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Previews courtesy ofListen on Apple Music

Mixes well with this track

Scoring the top mixing matches.

Checking key, tempo, energy, groove, mood and vocals.

Why these tracks?

Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,100 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.

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About this track.

Lost in Love by Mona, Bell Towers is a bass-heavy Indie Dance track at 128 BPM with moderate drive and balanced groove. At 29% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.

Released 11 Jul 2025 · 3:44 · 52% mood · -14 dB loudness

The feel

Groovebalanced
Bass weightheavy
Drivemoderate
Warmthwarm

The warmth is the story here — 100% puts it in the top tier of the catalog. Lead with it.

Where it lives in a set

WARM-UPBUILDPEAKCOOL

29% energy places it in the warm-up — setting the room up before the climb.

Quick answers.

What BPM is Lost in Love?

128 BPM — squarely in indie dance territory, mixable within roughly 123–133 BPM without pitch artefacts.

What key is Lost in Love in?

F Minor — 4A on the Camelot wheel. Harmonically compatible with 4B, 3A and 5A.

What mixes well with Lost in Love?

Tracks in 4A, 4B, 3A or 5A between ~123–133 BPM.

Where does Lost in Love fit in a DJ set?

Warm-up and opener — 29% energy with a steady groove sets the tone before the energy climbs.

Explore: 128 BPM tracks · 4A tracks · 4A → 4B key pair · Harmonic mixing guide

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Mixes well with this track

610 tracks in its harmonic window.

Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.

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Mixing out of this track.

Now128 BPM · 4A→ three ways forward
Hold the groove

4A → 4A

Same key, ±2 BPM. With 58% groove and heavy bass, long blends work — cut the incoming bass until the switch.

Ross Ross Ross

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86 chemistry

Push the energy

4A → 4B

Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.

Death Mask

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82 chemistry

Change direction

4A → 3A · 5A

Adjacent keys through a breakdown. This one runs 3:44 — the outro gives you a full phrase to work with.

Mangatune

Carl Bee · 127 BPM · 3A

87 chemistry

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