Trap / Future Bass · 2024
MitisSeven LionsNatalie Taylor
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
I Wanna Know feat. Natalie Taylor - Years Of War Remix by Mitis, Seven Lions, Natalie Taylor is a bass-forward Trap / Future Bass track at 75 BPM with moderate drive and subtle groove. At 61% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 12 Sep 2024 · 3:17 · 58% mood · -8 dB loudness
The feel
The bass weight is the story here — 75% puts it in the upper tier of the catalog. Lead with it.
Where it lives in a set
61% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Mitis is a dubstep producer known for atmospheric and melodic approaches to the genre. His work blends heavy bass elements with ethereal soundscapes and emotional depth, establishing a distinctive voice within…
144
Median BPM
12B
Top key
2011–2026
Active
24
Tracks
75 BPM — squarely in trap / future bass territory, mixable within roughly 70–80 BPM without pitch artefacts.
D♭ Major — 3B on the Camelot wheel. Harmonically compatible with 3A, 2B and 4B.
Tracks in 3B, 3A, 2B or 4B between ~70–80 BPM.
Mid-set energy builder — 61% energy pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 75 BPM tracks · 3B tracks · 3B → 3A key pair · Harmonic mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
City Lights (feat. JIM)
Jason Ross
78 BPM · 3B · Trap / Future Bass
Same key · +3 BPM — seamless blend
A Street I Know
Skrillex
73 BPM · 4A · Trap / Future Bass
Key jump · -2 BPM — seamless blend
Come Through
Chris Brown
76 BPM · 4A · Trap / Future Bass
Key jump · +1 BPM — seamless blend
Saviour
Yuan
75 BPM · 2A · Trap / Future Bass
Key jump · same BPM — seamless blend
Hangover (feat. Jitta On The Track)
Jitta on the Track
75 BPM · 3B · Trap / Future Bass
Same key · same BPM — seamless blend
3B → 3B
Same key, ±2 BPM. With 36% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Hangover (feat. Jitta On The Track)
Jitta on the Track · 75 BPM · 3B
91 chemistry
3B → 3A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Majesty feat. Wasiu
Apashe · 80 BPM · 3A
84 chemistry
3B → 2B · 4B
Adjacent keys through a breakdown. This one runs 3:17 — the outro gives you a full phrase to work with.
Spookfest
Jammer · 70 BPM · 4B
88 chemistry