Pop · 1983
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Don't Stop 'Til You Get Enough by Michael Jackson is a bass-forward Pop track at 119 BPM with low drive and strong groove. At 15% energy, it suits warm-up and opening slots, setting the tone before the energy climbs.
Released 4 Jul 1983 · 6:05 · 53% mood · -20 dB loudness
The feel
The warmth is the story here — 82% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
15% energy places it in the warm-up — setting the room up before the climb.
Michael Jackson is an American pop singer, songwriter, and dancer who became one of the most influential entertainers of the late 20th century.
119
Median BPM
7B
Top key
1979–2017
Active
20
Tracks
119 BPM — squarely in pop territory, mixable within roughly 114–124 BPM without pitch artefacts.
B Major — 1B on the Camelot wheel. Harmonically compatible with 1A, 12B and 2B.
Tracks in 1B, 1A, 12B or 2B between ~114–124 BPM.
Warm-up and opener — 15% energy with strong groove sets the tone before the energy climbs.
Explore: 119 BPM tracks · 1B tracks · 1B → 1A key pair · Harmonic mixing guide · Pop mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Off the Wall
Michael Jackson
119 BPM · 2A · Pop
Key jump · same BPM — seamless blend
Mr. Roboto
Styx
118 BPM · 2A · Pop
Key jump · -1 BPM — seamless blend
Thriller
Michael Jackson
118 BPM · 12A · Pop
Key jump · -1 BPM — seamless blend
Isn't She Lovely
Stevie Wonder
119 BPM · 12B · R&B
Adjacent key · same BPM — seamless blend
See-Line Woman
Nina Simone
119 BPM · 12B · Pop
Adjacent key · same BPM — seamless blend
1B → 1B
Same key, ±2 BPM. With 73% groove and heavy bass, long blends work — cut the incoming bass until the switch.
U Got The Look - Album Version
Prince · 122 BPM · 1B
83 chemistry
1B → 1A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Love and Happiness
Al Green · 117 BPM · 1A
80 chemistry
1B → 12B · 2B
Adjacent keys through a breakdown. This one runs 6:05 — the outro gives you a full phrase to work with.
See-Line Woman
Nina Simone · 119 BPM · 12B
85 chemistry